Seixal Jazz
Emissão "Jazz em Portugal" (CTT, 2009)
Emissão "Jazz em Portugal" (CTT, 2009)
Mostrar mensagens com a etiqueta Traços de jazz. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Traços de jazz. Mostrar todas as mensagens
26 de janeiro de 2020
18 de janeiro de 2020
31 de outubro de 2017
9 de março de 2016
Heroes...
Heroes of Blues, Jazz & Country
Robert Crumb
Ilustração de Nehemiah Curtis "Skip" James por Robert Crumb
29 de fevereiro de 2016
6 de novembro de 2015
12 de setembro de 2015
9 de julho de 2015
15 de junho de 2015
Ornette Coleman
Randolph Denard Ornette Coleman (1930 - 2015)
Jazz saxophonist, violinist, trumpeter and composer
Fotografia de Ornette Coleman por Roy DeCarava
Jazz saxophonist, violinist, trumpeter and composer
Fotografia de Ornette Coleman por Roy DeCarava
Recomenda-se a ouvidos eclécticos!
Of human feelings
Ornette Coleman
(Cover painting por Susan Bernstein)
At the end of the fifties, another new wave arose. This time the music was truly radical, not just seemingly so. Ornette Coleman (b. 1930) instinctively broke with the Western tonal tradition that had hitherto ruled jazz, and John Coltrane (1926-1967), a saxophonist who had come to the fore through his work with Miles Davis, broke with tonality in stages, through a process of deliberate searching for new modes of expression.
As had been the case since the arrival of bop (or to a more limited extent, since the placing of the holy grail in New Orleans), critics and journalists played a role in the development of the music first labeled “avant-garde”, then “the new thing”, and lastly and more fittingly, “free jazz”.
Coleman was the first to hit upon this apt title and recorded an album with that name, but when a concert by his group was thus advertised in Cleveland, many of the people who turned up refused to pay for tickets, and the promoter had to cancel the event.
As had been the case since the arrival of bop (or to a more limited extent, since the placing of the holy grail in New Orleans), critics and journalists played a role in the development of the music first labeled “avant-garde”, then “the new thing”, and lastly and more fittingly, “free jazz”.
Coleman was the first to hit upon this apt title and recorded an album with that name, but when a concert by his group was thus advertised in Cleveland, many of the people who turned up refused to pay for tickets, and the promoter had to cancel the event.
Dan Morgenstern in Jazz People
10 de junho de 2015
9 de abril de 2015
8 de fevereiro de 2015
A crítica escolhe ...
... E os €uritos voam!
The Great Lakes Suites
Wadada Leo Smith
Rampant cloud at nightfall, 2012
Markus Konttinen
6 de fevereiro de 2015
O século do jazz
Le siècle du jazz
Art, cinéma, musique et photographie de Picasso à Basquiat
The jazz singers, 1934
Archibald J. Motley Jr.
9 de novembro de 2013
Um livro
Impressions - Jazz Masters in Black and White
Alastair Graham
Philly Joe Jones por Alastair Graham
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